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Welcome to .txtLAB, a digital humanities laboratory at McGill University directed by Andrew Piper. We explore the use of computational and quantitative approaches towards understanding literary and cultural phemonena in both the past and present. Our aim is to engage in critical and creative uses of the tools of network science, machine learning, or image processing to think about language, literature, and culture at both the large and small scale.
The Visibility of Knowledge

The Visibility of Knowledge

I am very pleased to announce that our new collaboration with Chad Wellmon and Mohamed Cheriet has been funded by the Social Sciences and Humanities Research Council of Canada. The project is called “The Visibility of Knowledge: The Computational Study of Scientific Illustration in the Nineteenth Century.” Our aim is to study...
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Literary Text Mining Syllabus

Literary Text Mining Syllabus

It’s that time of year and so I’m posting my latest syllabus of my data and literature class. I have found over the years that every time I create a new class I always start with too much and gradually winnow as the years go by (until there is nothing left and I teach a...
.txtLAB Internships 2016: Computational Cultural Advocacy

.txtLAB Internships 2016: Computational Cultural Advocacy

.txtLAB is pleased to offer four undergraduate internships for the coming academic year. This year’s theme is “Cultural Advocacy: Women in the Public Sphere.” The aim of the internship is to address how women are both mis-represented and under-represented in the public discourse of book reviewing. Book reviews represent a significant cultural outlet that bestow...
Is data good for creative writing? My interview with @DIYMFA Radio

Is data good for creative writing? My interview with @DIYMFA Radio

This past Spring I conducted an interview with Gabriela Pereira, host of @DIYMFA Radio. These are a fantastic series of podcasts for aspiring writers to learn more about the craft without paying enormous sums of money to attend an MFA program. In the interview, we talk about how and whether data can be useful for...
CA Is  Here

CA Is Here

I am very pleased to announce the official launch of CA: Journal of Cultural Analytics. As we state in the journal’s mission statement: Cultural Analytics is a new journal dedicated to the computational study of culture. Its aim is to promote high quality scholarship that intervenes in contemporary debates about the study of culture using computational...
How Cultural Capital Works: Prizewinning Novels, Bestsellers, and the Time of Reading

How Cultural Capital Works: Prizewinning Novels, Bestsellers, and the Time of Reading

This new essay published in Post45 is about the relationship between prizewinning novels and their economic counterparts, bestsellers. It is about the ways in which social distinction is symbolically manifested within the contemporary novel and how we read social difference through language. Not only can we observe very strong stylistic differences between bestselling and prizewinning writing,...
Why are Jane Austen's novels so popular? Her characters are introverts.

Why are Jane Austen’s novels so popular? Her characters are introverts.

As part of the work on characterization in the novel that we’ve been doing recently in the lab, I’ve come across an interesting aspect of the classic nineteenth-century novel. It turns out that female main characters are far more cogitative and perceptive than their male counterparts. However, this appears only to be true for female...
Announcing CA: Journal of Cultural Analytics

Announcing CA: Journal of Cultural Analytics

I am very pleased to announce the pending launch of CA: Journal of Cultural Analytics, an open-access web-based academic journal that will focus on the computational study of culture. CA’s mission is to use data-driven approaches towards the study of literature, culture and history. Our mandate is as capacious as it is focused: to transform...
Why do book reviews still treat women like it's the 19th Century?

Why do book reviews still treat women like it’s the 19th Century?

I have a new piece out with my collaborator Richard Jean So at The New Republic that explores gender bias in book reviews. Looking at a sample of 10,000 book reviews published in The New York Times since 2000, we found a disappointing story about how reviews of women’s books overwhelmingly skew towards family and...
Do Creative Writing Degrees Impact the Contemporary Novel?

Do Creative Writing Degrees Impact the Contemporary Novel?

I have a new piece out in The Atlantic with Richard Jean So. The piece addresses recent debates as to whether MFA programs have had a major impact on contemporary novels. The short version is that there is very little evidence to suggest any major differences between novels written by authors with MFA degrees and...
CBC interview on using algorithms to predict prizewinners and bestsellers

CBC interview on using algorithms to predict prizewinners and bestsellers

This past weekend I participated in an interview with Jeanette Kelly on the CBC to discuss our new work on using computers to predict bestsellers and prizewinning novels. In it I discuss the Devoir challenge in which local Quebec writers try to impersonate a bestseller using our data and our successful attempt at predicting this year’s Giller Prize winner...
Interview with BookNet Canada on algorithms, publishing and creative writing

Interview with BookNet Canada on algorithms, publishing and creative writing

I recently did a podcast with the BookNet group in Canada that focuses on the intersection of technology and books. They were interested in our research focusing on prizewinning and bestselling novels. My main emphasis in the discussion was to focus on the way computers can be useful for different kinds of audiences: for publishers to better understand the books...
Does the Canon Represent a Sampling Problem? A Two Part Series

Does the Canon Represent a Sampling Problem? A Two Part Series

The most recent pamphlet from the Stanford Literary Lab takes up the question of the representativeness of the literary canon. Is the canon — that reduced subset of literary texts that people actually read long after they have been published — a smaller version of the field of literary production more generally? Or is it substantially different?...